Sunday, April 5, 2009

A Metaphysical Manifestation of The Soul and Ego

"Is God willing to prevent evil, but not able? Then he is not omnipotent. Is he able, but not willing? Then he is malevolent. Is he both able, and willing? Then whence cometh evil? Is he neither able nor willing? Then why call him God?"

-Epicurus, 33 A.D


It is interesting, I believe, to ponder upon the origins of the world, humans, the universe as a whole. For can anyone truly understand what is happening and what has occured?

Take for instance the fact that our brains grew from bacteria. Yet, even as our origins were something so formless, we all conform to specific molds and ideals within our race. We all have arms, legs, heads, skin. We all have generally the same skin color(none of us are purple and blue). We all perceive light, sound, feelings to some degree of similiarity. Our brains have evolved to sense the random particles of electricy hurtling towards our bared retinas as images and colors. Likewise, the tiniest bones and muscles in our body have developed within an organic auditorium to interpret vibrations and signals into tangible sounds that our brain then decodes and understands all within the blink of an eye.

We were once bacteria. We once were the mold growing upon rocks, the phytoplanktons en masse upon the vast oceans of a yet unchanged world. Now we have become so incredibly advanced beyond reckoning. To merely type this sentence I have developed motor skills, language use, vision, comprehension of these mysterious symbols on this strange screen of an unknown substance that somehow has been manipulated to take a current of unseen and untangible energy and project light in such precise measurements and angles directly into my eyes. The cones of my retinas flip the image, project it upon my sensory inputs, which then relay these signals, which are merely light and color at this point, to my brain. My brain is efficient and resourceful enough to decode, analyze, understand, and respond to these seemingly insignificant and intangible relays while drawing little to no energy from my body. Nature has somehow programmed each and every human to have the capacity to do these tasks and many more vastly complex activities. Nature must have it's own intelligence. A veritable Matrix, Nature dictates what can and cannot be thought of by mere humans. We cannot comprehend what is beyond our universe. It is mere logic that something should exist, yet how could we know? The truth of the matter is that we cannot, and we never will be able to. We just were not programmed to be able to. Perhaps there are some who would say to me "Yes, well I believe that there are infinite universes including our own". Well, that is a belief and nobody can know for certain obviously.



When we begin to think of the earth and the universe, we understand that everything is made up of atoms and particles of various substances. If there was a "creator" everything in his mind would just be webs and kaliedoscopes of atomic particles, all interweaving. All reacting, combining, splitting apart, fusing, creating the world in a tumultous cacophony of energy and activity. It would be like Neo in the Matrix, when he sees the world as it truly is, algorithms. We are all composed of the same things, you and I. If I were to be drawn upon a sheet, merely with atoms and particles, my vast web would be very, very similar to yours. Even if we have radically different attitudes, ideas, souls even, we are the same.

Nothing can come from nothing, The "Prime Mover" is a semantic game for
the weak minded. everything has always been here, and it is only your
narrow perception of the nature of time and existence that leads you to
believe that magical beings are responsible for it all.


Speaking of the soul, no soul truly exists. Our definition of a 'soul' is thus: immaterial part of a person consisting of their thoughts and personality. Yet, is it not true when I say that our 'soul' is just random electrical patterns in our brain? Thusly upon death do we merely disappear in clouds of static and bid adeui to our physical body merely to rest in another receptive individual? Or do we merely cease to exist? Do we go cold and dead in the lifeless blob of matter ensconced in our skulls, never to think, breathe, or love again?



Let's not even bring dreams into the question. The depths of complexity involving our brain are fathomless and incomprehensible.

The mind is truly an amazing thing. Merely to try and comprehend modern technology is far beyond my limits. It is beyond my wildest dreams to even begin to understand how someone developed this monitor. To provide such images to such a precise and consistent scale is a feat worth of a God, truly. Take a moment and think about your iPhone, your computer, your cell phone that you incessantly tinker with. If I were to task you to build these items with materials completely from the Earth, where would you even begin? Nobody can truly know, yet these things have been accomplished and even more astounding technological events occur each and every day.

"The greatest mystery the universe offers is not life
but size. Size encompasses life, and the Tower encompasses size. The
child, who is most at home with wonder, says: Daddy, what is above the
sky? And the father says: The darkness of space. The child: What is
beyond space? The father: The galaxy. The child: Beyond the galaxy? The
father: Another galaxy. The child: Beyond the other galaxies? The
father: No one knows.

"You see? Size defeats us. For the fish,
the lake in which he lives is the universe. What does the fish think
when he is jerked up by the mouth through the silver limits of
existence and into a new universe where the air drowns him and the
light is blue madness? Where huge bipeds with no gills stuff it into a
suffocating box abd cover it with wet weeds to die?

"Or one might
take the tip of the pencil and magnify it. One reaches the point where
a stunning realization strikes home: The pencil tip is not solid; it is
composed of atoms which whirl and revolve like a trillion demon
planets. What seems solid to us is actually only a loose net held
together by gravity. Viewed at their actual size, the distances between
these atoms might become league, gulfs, aeons. The atoms themselves are
composed of nuclei and revolving protons and electrons. One may step
down further to subatomic particles. And then to what? Tachyons?
Nothing? Of course not. Everything in the universe denies nothing; to
suggest an ending is the one absurdity.

"If you fell outward to
the limit of the universe, would you find a board fence and signs
reading DEAD END? No. You might find something hard and rounded, as the
chick must see the egg from the inside. And if you should peck through
the shell (or find a door), what great and torrential light might shine
through your opening at the end of space? Might you look through and
discover our entire universe is but part of one atom on a blade of
grass? Might you be forced to think that by burning a twig you
incinerate an eternity of eternities? That existence rises not to one
infinite but to an infinity of them?

"Perhaps you saw what place
our universe plays in the scheme of things - as no more than an atom in
a blade of grass. Could it be that everything we can perceive, from the
microscopic virus to the distant Horsehead Nebula, is contained in one
blade of grass that may have existed for only a single season in an
alien time-flow? What if that blade should be cut off by a scythe? When
it begins to die, would the rot seep into our universe and our own
lives, turning everthing yellow and brown and desiccated? Perhaps it's
already begun to happen. We say the world has moved on; maybe we really
mean that it has begun to dry up.

"Think how small such a concept
of things make us, gunslinger! If a God watches over it all, does He
actually mete out justice for such a race of gnats? Does His eye see
the sparrow fall when the sparrow is less than a speck of hydrogen
floating disconnected in the depth of space? And if He does see... what
must the nature of such a God be? Where does He live? How is it
possible to live beyond infinity?

"Imagine the sand of the
Mohaine Desert, which you crossed to find me, and imagine a trillion
universes - not worlds by universes - encapsulated in each grain of
that desert; and within each universe an infinity of others. We tower
over these universes from our pitiful grass vantage point; with one
swing of your boot you may knock a billion billion worlds flying off
into darkness, a chain never to be completed.

"Size, gunslinger... size."


We only use 10% of our brain.
It is fact that different parts of the brain are used for different things, so therefore we are only using 10% of the whole brain at any given time, thusly recieving an astoundingly vast array of input. To use 100% of your brain would mean to experience every memory, feeling, emotion, taste, smell, sound, etc all at the same time. If this were somehow possible, would this not destroy a man instantly? Would not their head explode from the mind-boggling amount of information all at once overloading his organic circuits? Once again, we can never know.

What we call "reality" is actually an image our consciousness
constructs from outside sensus. Because this process takes time, the
"reality" we experience is actually a memory, an image of things that
our mind claims are happening "now". When we dream, we sense an image
of things that our mind claims are happening "now".

Could Jesus Microwave a Burrito so Hot, that He Himself Could Not Eat It?

-Dr.Reeves

----------------
Now playing: Primus - Laquer Head
via FoxyTunes


In order to make this guitar related: Dude I totally just shredded Opeth's Heir Apparent. RAWK ON!

Friday, March 27, 2009

Suspiciously Unrelated


"This city is afraid of me. I have
seen its true face. The streets are extended gutters and the gutters
are full of blood and when the drains finally scab over, all the vermin
will down. The accumulated filth and all their sex and murder will foam
up about their waists and all the whores and politicians will look up
and shout "Save Us!"...They had a choice, all of them. They could have
followed in the footsteps of good men like my father, or President
Truman. Instead they followed the droppings of lechers and communists
and didn't realize that the trail led over a precipice until it was too
late. Now the whole world stands on the brink, staring down into bloody
hell, all those liberals and intellectuals and smooth-talkers...and all
of sudden nobody can think of anything to say." -Rorschach


My superhero name would be Aqualad. My costume would be a giant
fish suit. I would travel the globe with my powers of flight and my
ability to use people as waterskis. Upon reaching my
destination I would then find corrupt leaders and evildoers and soak
them with my water-rays. Nobody enjoys being wet. Undoubtably these
evildoers will feel shamed and ridiculous, they are wet, nobody else is
wet; how ridiculous! This shame will then drive them back from whence
they came and right their wrongs. Thusly my powers of aquatic mischief
shall bring about world peace and prosperity. If anyone threatened my
new world of peace I will drench them constantly. Imagine the paranoia.
Every time an archvillian changes into a nice suit or tux, DRENCHED. At
a formal dinner? DRENCHED. Giving speeches to anarchical mob? DRENCHED.
This fear of having set after set of clothes completely ruined and
shame brought upon them at my whimsy shall ensure completely docility.
AQUALAD, DUNDUNDUNDAAAA

-Dr.Reeves
----------------
Now playing: Phish - The Lizards
via FoxyTunes

Thursday, March 26, 2009

Mastodon - Crack The Skye


Time for something interesting - MUSIC. I'll be completely honest, I don't enjoy or even tolerate most the music that most students listen to these days. Diversity is the spice of life. Music is a teenager's life. Therefore, variety in your music allows you to become a more diverse, interesting, and all around awesome person. Let's begin.

Mastodon is undoubtably one of the more underrated metal bands around right now. Their discography spans various elements and themes and contains some quite brilliant guitar and vocal work. The drummer blasts out mind-boggling fills and amazes me constantly. Mastodon's Crack the Skye continues the legacy of albums that represent elements and feature magnificent cover artwork. Leviathan is quintessentially the water element, Blood Mountain subsists of earth themes, Remission is loosely based on fire, and finally Crack the Skye embodies a distinctly Airy, Astral essence. Call of the Mastodon, a collection of demo songs, is a mix of fire and water and the result is a sludgy, aggressive, and raw anthology of past sounds. Beginning with Call of the Mastodon and moving chronologically through the discography, you will be amazed at the evolution of sound and technique that the band has gone through. This evolution has culminated in the band's most polished and technical album yet. The most recent Guitar World has an article that goes into the technical recording and layering aspect of the album more in depth, so I won't go over that here.

Crack the Skye, give it a listen. Who knows, you may discover a new favorite band.

Expect a review of each song off of Crack the Skye this week and reviews/insights upon various other albums in a broad range of bands every week or so afterwards.

Now for the aforementioned and promised review:

Oblivion: The album starts off with a distinctly "Mastodon" sound. The alternating low notes with those on the higher strings give a spacy, drifting feeling unique to the band. Par for the course, vocals are completely unintelligible, yet they are quite powerful and haunting for the entirety of the album. Particular in the first few minutes the vocals shine. The words that you can make out from time to time provide a very lonely and lamenting sense to the song. These lyrics coupled with the wailing guitar work starting around 3:30 paint a barren, distinctly Eastern European, atmosphere. I'm not fond of the way this song ends if you are listening to it on shuffle or by itself, but when in conjuction with the remainder of the album it provides a nice transition.

Quintessence: It took me a while to notice the song had changed, the transition to this song from Oblivion was so smooth. Once again we have a Mastodon-esque sound coupled with the nasally vocals that are so unique and refreshing. I love the way the singer includes such variety in this song. The guitar is pretty typical of Mastodon in Quintessence; one guitar chugs along in contrast with another playing single notes that float along over the top. Although typical, the guitar work is very heavy and enjoyable. The drums are blasting out some pretty decent fills, yet I feel like they take a backseat to the vocals until the end of the song. Around 4:00 the drummer seems to kick it up a notch and start hammering away at your soul with absolute precision.

The Czar
: The song starts out beautifully; the slow bass coupled with airy guitar excels at creating a magnificent atmosphere. The haunting vocals speak of escape from unknown horrors that allows the mind to wander and vividly takes the listener to a barren, snowswept land of tryanny. Keyboards are prominent from 2:-- onwards and smoothly create even more depth to this tapestry of imagination that the song coaxes forth. An effortless transition occurs at 3:40 from tale-telling to an formidable guitar riff. The tempo picks up a bit and the guitar work starts getting really good; very impressive detuned chugging alternating with some sweet technical riffs. The vocals weave in and out pitch with the guitar, giving a really nifty feeling. At 7:00 the tempo shifts yet again into a haunting melody reminiscent of the same themes as the beginning. The vocals, keyboards, guitar, and drums all coalesce into perhaps the most beautifully written and put together portion of the album for the remainder of the song. Although, the solo is a little unsatisifying. The outstanding composition more than makes up for this slight imperfection.

Ghost of Karelia: Drums are immediately noticed as more prominent than in previous songs and they remain so for the entirety of the song. The vocals have their shining moments, and although they are definetely not my favorite, they still remain proficient at what they do; conjure up astounding imagery. Guitars take a backseat until about halfway through when a magnificently heavy, detuned riff comes along and bashes heads for a few minutes before transitioning into yet more stratospheric upper octave work.

Crack the Skye: The track from which the album is titled after begins with suprisingly similarity to the other tracks, yet moves onto a distinctly unique tone and feel. Vocals soar in Crack the Skye, drums pound, guitars slay; yet all this begins to feel a bit stretched and repetitive. The song is simply too similar to the others until about 2:45 in which a single guitar wails over the hammering drums and recaptures the listener for a few minutes before the song transitions. The drums in the latter half of the song are simply brilliant, I don't know how the drummer does it.

The Last Baron: The Last Baron is by far my favorite song. The track immediately begins where Crack the Skye left off, providing a sublime transition that holds the listeners attention whilst the nasally vocals provide a excellent buildup to what may be my favorite riff of the year. The way the singer manipulates his voice in the first few minutes is simply magnificent and he soars above what you believe is possible for a typical "metal" singer. The guitars come in at 2:20 with a cutting, hard-driving riff, relax for a few seconds, then melt your face off. Drums like you have never heard before begin at 3:00, once again the drummer is proving his mastery over his instrument. My mind is blown simply trying to comprehend how he controls his motions to strike the seperate sections with the precision and speed at which he does. Amazing. Keyboards are used sparingly in The Last Baron, and unfortunately when you do hear them they are cliche "ahs" and are very disappointing. However, the cliche does little to detract from the overall song. At 5:45 a twisting-winding, ridiculously out-of-place little transition beings, yet for its sticking out like a sore thumb, it fits. I realize this makes little sense, I guess it must be heard to be understood. Furious drumming and guitar riffs consist of the next few minutes, punctuated consistently by keyboards and lamenting lyrics. Beginning at 8:00 is my favorite riff of the album, the strikingly playful yet heavy sound is absolutely marvelous.

Divinations: Divinations begins with a serpentine guitar twisting underneath ridiculously complex drums, transitioning into a overwhelmingly moving riff coupled with aggressive vocals that I have come to love and expect from the vocalist. This track won't disappoint those listeners looking for a technical, aggressive song for 'rawking out man'.

There are also instrumental versions of Oblivion and Divinations. I actually enjoyed the instrumental version of Oblivion more than the original.


-Dr. Reeves


----------------
Now playing: Joe Satriani - Surfing With The Alien
via FoxyTunes